Gliss Riffer - Dan Deacon. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией.

Album · 2015 · 8 Songs. Gliss Riffer Dan Deacon.

As on all of Deacon's albums, it's the moments where he seems to be discovering something new that prove the most exciting.

Gliss Riffer is the seventh studio album by American electronic musician Dan Deacon. It was released on February 25, 2015, on Domino Records. The album's title is combination of the common music term "Gliss", short for glissando, and riffer, "one who plays sick riffs". In an interview with NPR, Deacon said: "It's something that auto-correct wants to make sure that no one can actually type: I've seen 'Glass Rafter,' 'Gloss Dripper.

Previously on NewAlbumReleases. net: December 5, 2012 - Dan Deacon – Wish Book Volume 1 (2012). August 2, 2012 - Dan Deacon – America (2012). June 8, 2009 - Dan Deacon – Bromst (2009).

Gliss Riffer marks new territory for Synth-pop outsider Dan Deacon who returns with this laid back, colourful, trippy and slightly bizarre offering. Fresh from touring in support of Arcade Fire, Baltimore’s Dan Deacon has returned to a simpler way of writing and recording with this self produced offering. Now before I start let me nail my colours firmly to the mast. The album starts out brightly enough, lead track Feel The Lightning is an interesting and multilayered offering which adds a very pleasant female vocal counterpoint to Deacons vocal. I was surprised to learn from the record company blurb that both the male and female vocals are actually provided by Dan Deacon himself.

Gliss Riffer offers some of the purest pop pleasures Deacon has done, yet they’re fused to an album that comes across as deeply anxious and unsettled, a mixture that makes for a fractious listening experience.

Sticker reads: "DAN DECON GLISS RIFFER includes mp3 download card" Comes with a printed inner sleeve.

This kind of adversarial back and forth continues throughout the album, the basis of a bricklaying approach in which harsh sounds are piled atop soft ones in stratified layers, each track accumulating elements as it progresses. Deacon isn't one for variation, at least not in terms of song structure.