FFWD: The Official Album.

FFWD is an eponymous album by FFWD - Robert Fripp, Thomas Fehlmann, Kris Weston, and Dr. Alex Paterson. The title is also a play on the abbreviation often used on the fast forward control of a tape deck or CD player, also referenced in the "double-arrow" graphic used on the cover. The album peaked at in the UK Albums Chart in August 1994. What Time Is Clock" – 1:15. Can of Bliss" – 3:15.

Released: December 31, 2008. 2. Revealed This Time I Rise. 12. 2 Dance 2. 13. Dance.

2007: FFWD 2007 - The Official Album, Mixed by Dazzle (CD). 2009: Forward II, Mixed by Dazzle (CD). Singles, EPs. 2001: Dazzle - From Within (on Freedom 4: Somewhere in Time 12" album sampler). 2001: Sonic Swamp - Sonic Swamp (on Freedom 4: Somewhere in Time 12" album sampler). 2001: Dazzle & DJ Cor Fijneman - Twisted (on Freedom 4: Somewhere in Time 12" album sampler). 2004: Dazzle - Radar. 2004: Dazzle - Clino.

Dazzle was born January 25th 1977. At the age of fifteen he visited the local club Spock in Breda, The Netherlands and heard Tiesto for the first time. Two years after he became a resident dj at The Spock. Dazzle also started out at Black Hole Recordings with the Freedom mix compilation series. From the first Freedom on, his sound has developed into.

Mastered at CTS. Thank you to Paul & Helima. The title of track 12 is a German translation of the slang phrase "sweet as a nut".

Download the album or mp3, watch videos FFWD (4). All video clips of all the songs are here. All audio materials of FFWD (4) are presented solely for information. All styles of audio music. ru All rights are reserved by their respective owners. On this site you can find any kind of music except for MP3 download. Here you can not download free music in mp3 or listen online. FFWD originally intended to do a series of albums, however, the group was not satisfied with the results and did not continue the project. FFWD is an eponymous album by FFWD - Robert Fripp, Thomas Fehlmann, Kris Weston, and Dr.

Dazzle Ships is one of British pop's more notorious flops. It was the follow-up to a major hit album but cut OMD's audience by 90%. It was a mix of new songs, reworked B-Sides, and "found sound" experiments, which promised to mix "ABBA and Stockhausen. It was named after wartime camouflage boats. In fact I don't think you could design a record more ripe for revisionism: It's got a strong backstory, it's as ambitious as it is catchy and it even has a gorgeous Peter Saville sleeve.