Hunter Wolfe & Are. Альбом.

25 year old guitarist & singer for the band Born Crooked! Going.

Abyss is the fourth studio album by American singer-songwriter and her eponymous band Chelsea Wolfe. The album was released on August 7, 2015 through Sargent House and was produced by John Congleton. It also features guest contributions from Mike Sullivan of Russian Circles and Dan Phillips from True Widow.

25 year old guitarist & singer for the band Born Crooked! Going around the world with my sisterПодписчиков: 1 тыс.

The Hunter was only made because they still owed Chrysalis an album on their contract, and it sounds like the obligatory record it was. "Island of Lost Souls" (the album's only . singles chart entry and, in fact, the only song released as a single in the . was a try at remaking "The Tide Is High," while "The Beast" tried to re-create at least the rap section of "Rapture. War Child," which made the .

Chelsea Wolfe's 7th studio album, 'Birth of Violence', will be released on September 13th via Sargent House. Below are some insights from Chelsea: "The overarching theme of both the song and video is connection nging along to the Aimee Mann song Wise Up, but I wanted our version to be explored through the lens of The Tarot.

For an album that presupposes sadness and neglect, Abyss is surprisingly bold. Opener Carrion Flowers makes this very clear. Whereas 2013’s Pain Is Beauty’s lead-in, Feral Love, tiptoed into the limelight, Carrion Flowers barges through the doors. Wolfe’s regal vocals are bolstered by crunchy guitars, warring drums, and thick, ominous synth drops. If Apokalypsis (2011) and Pain Is Beauty saw Wolfe hint at her melodic strength, Abyss is her unveiling. The sound is fuller than ever before, almost cluttered in its ambition. Though darkwave is a fitting descriptor, elements of doom, folk,.

Chelsea Wolfe plays folk music but counts plenty of metalheads among her fans. Abyss, her heaviest (and best) collection to date, was produced by John Congleton. Wolfe sang on the sole vocal track on Russian Circles' excellent 2013 album, Memorial ; he returns the favor here, adding an anthemic dimension to a handful of the tracks that you won't find in her other work. Overall, this is the first time you feel like the music consistently lives up to the power of her voice. The songs are long and dynamic, pushing their boundaries to the limit while maintaining spaciousness. Survive", which opens with a bluesier feel, sprouts Swans-like tribal drums, ghostly and vicious feedback, a super-heavy Mudhoney bass, and a forceful bit of noise that comes off like a football stadium full of cheering zombies.

Wolfe injects old tropes with new life, never sounding derivative. Joining her in the effort are t and co-producer Ben Chisholm, ex-Gown Ezra Buchla (viola) and Russian Circles' Mike Sallivan (guitar). In fact, while most of the tracks on the album showcase similar climactic structures ('Dragged Out'; 'Color of Blood'), the subtlest variations are more than enough to enrich the overall feel of the record. The tonal upsurges and feeble electronics of 'After The Fall' create a hallucinatory suspense while Buchla's viola mitigates the oppressive atmospheres of 'Grey Days' ( How many years I have been sleeping? Nobody ever said I was alive ) and the titular 'The Abyss'.

Madden Ott Chelsea Wolfe is as witchy as music gets. This album is just one excellent track after another. Jasmine Rose Fuentes This album holds a lot of personal meaning to me, and definitely had my back through some recent interesting times in my life. CW is heavily inspiring to me. My ears are unworthy, but very thankful.