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Charlie Byrd - Brazilian Byrd mp3 download

Charlie Byrd - Brazilian Byrd mp3 download

Performer: Charlie Byrd
Title: Brazilian Byrd
Style: Bossa Nova,Brazilian Jazz,Brazilian Traditions,World Fusion
Location: CBS 30th Street Studios, New York, NY
Duration: 34:05
Released: 1965
Date of recording: December 21, 1964 - February 8, 1965
Size MP3 version: 1586 mb
Size FLAC version: 1454 mb
Size WMA version: 1652 mb
Rating: 4.8
Votes: 363
Genre: Jazz

Charlie Byrd - Brazilian Byrd mp3 download

Charlie) Byrd´s guitar is showcased in three different settings - with strings, woodwind and French horn; with brass, two reeds and French horn, and th. .

Brazilian Byrd - Music of Antonio Carlos Jobim ‎(CD, Album, Ltd, RE, RM, Pap).

Charlie Byrd Brazilian Byrd: listen and download Charlie Byrd, Stan Getz - Samba de Uma Nota Só, Carlos Barbosa-Lima, Charlie Byrd, Laurindo Almeida - Promises, Carlos Barbosa-Lima, Charlie Byrd, Laurindo Almeida - Modinha, Carlos Barbosa-Lima, Charlie Byrd, Laurindo Almeida.

Solo Flight is an album by American jazz guitarist Charlie Byrd featuring tracks recorded in 1964 and released on the Riverside label. Solo Flight easily fits into that category. Am I Blue?" (Harry Akst, Grant Clarke) - 2:42. Easy Living" (Ralph Rainger, Leo Robin) - 3:46.

This record is so beautiful! Charlie Byrd managed to capture the beuaty and lyricism of Jobim´s music. I like specially his arrangement for Esse Seu Olhar (That Look You Ware). Lindas canções brasileiras traduzidas no violão impecável de Charlie Byrd!.

Biography by Richard S. Ginell. Classically trained jazz guitarist who helped to popularize bossa nova in the . Stan Getz, Charlie By. azz Samba. The Guitar Artistry o. harlie Byrd. Laurindo Almeida, Cha. razilian Soul. See Full Discography.

Charlie Lee Byrd (September 16, 1925 – December 2, 1999) was an American jazz guitarist. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, he collaborated with Stan Getz on the album Jazz Samba, a recording which brought bossa nova into the mainstream of North American music. Byrd played fingerstyle on a classical guitar.

BRAZILIAN BYRD Vinyl Record. BRAZILIAN BYRD Vinyl Record. Delivery: This item does not ship to your country. Wrong album? Let us know. Expand player Collapse player. More from Charlie Byrd. GUITAR ARTISTRY OF CHARLIE BYRD Vinyl Record. Bamba samba bossa nova CD. RUB630. Bossa nova pelo passaros CD. RUB757. Guitar artistry of charlie byrd CD. RUB788. PLAYS JOBIM CD. BLUEBYRD CD. RUB1,230.

Charlie Byrd - Brazilian Byrd/folder. Charlie Byrd - Brazilian Byrd/Charlie Byrd - Brazilian Byrd. Flamenco Amour '2018.

Track List

Title/Composer Performer Time
1 Jazz 'n' Samba Norman Gimbel / Antônio Carlos Jobim / Vinícius de Moraes Charlie Byrd 2:23
2 Corcovado Antônio Carlos Jobim Charlie Byrd 2:56
3 That Look You Wear Antônio Carlos Jobim / Gene Lees Charlie Byrd 2:32
4 The Girl from Ipanema Norman Gimbel / Antônio Carlos Jobim / Vinícius de Moraes Charlie Byrd 2:48
5 Samba do Avião Antônio Carlos Jobim Charlie Byrd 2:25
6 Engaño Luiz Bonfá / Antônio Carlos Jobim Charlie Byrd 2:25
7 O Amor em Paz Antônio Carlos Jobim / Vinícius de Moraes Charlie Byrd 3:12
8 Dindi Ray Gilbert / Antônio Carlos Jobim Charlie Byrd 3:57
9 Canção do Amor Demais Antônio Carlos Jobim / Vinícius de Moraes Charlie Byrd 2:23
10 As Praias Desertas Antônio Carlos Jobim / Aloysio de Oliveira Charlie Byrd 4:05
11 Samba Torto Antônio Carlos Jobim / Aloysio de Oliveira Charlie Byrd 2:18
12 Someone to Light Up My Life Antônio Carlos Jobim / Gene Lees / Vinícius de Moraes Charlie Byrd 3:14
13 Engaño Luiz Bonfá / Antônio Carlos Jobim Charlie Byrd 2:21


Luiz Bonfá - Composer
Kevin Boutate - Digital Mastering, Remixing
Charlie Byrd - Arranger, Brass, Primary Artist, Strings, Woodwind
Dom Cerulli - Liner Notes
Vinícius de Moraes - Composer
Aloysio de Oliveira - Composer
Didier C. Deutsch - Reissue Producer
Ray Gilbert - Composer
Norman Gimbel - Composer
Antônio Carlos Jobim - Composer
Gene Lees - Composer
Teo Macero - Engineer, Producer
Paul M. Martin - Computer Graphics
Tommy Newsom - Arranger
Allen Weinberg - Art Direction
I believe that this CD can be considered a chamber-suite for acoustic jazz guitar and small orchestra; and that as such, it is a masterpiece! It's so perfectly performed, arranged and recorded; one gets the feeling that Jobim wrote these pieces specifically for this recording. I guess I wouldn't be letting the cat out of the bag if I said that this is my all-time favorite!There are actually three important musical aspects of this disc to be considered: Charlie Byrd's consummate performance; Antonio Carlos Jobim's compositional genius; and Tommy Newsom's wonderful arrangements. It would be unfair not to mention Teo Macero's production expertise as well as the technically astute recording itself; however space prohibits elaboration.Charlie Byrd was undoubtedly a multi-talented musician; and one of his primary talents was his ability to impart the true feeling of a composition - and what un-plumbed depths of feeling are provided for him by Jobim's compositions! Even in less talented hands, Jobim's magnificent melodies and haunting harmonies artfully express Brazilian life - both joyous and sanguine; on this disc we have the perfect collaboration of a master guitarist. Byrd's lush use of the full, expressive timbre of the acoustic guitar gives us the ultimate interpretation of this music.What can be said about Jobim's genius? And I, like many others, do consider him a true musical genius. People can learn harmony; they can be taught to arrange, write scores, and they can study rhythmic variations. But melody is a gift. Antonio Carlos Jobim had the gift --- and he did the studying as well! "Corcovado" is one of the most beautiful melodies ever written; "Dindi", "Someone to Light Up My Life", and "O Amor em Paz (Once I Loved)" are all exquisitely melodic pieces. But, I have not heard a Jobim piece that wasn't.Tommy Newsom's arrangements are what, I think, "make" this recording. Arranging is, in a sense, a form of composing, at least a really good arranger makes it seem that way. Newsom's sense of "what" fits "where" is brilliant. He makes all the components of this session musically coherent; emphasizing Byrd's guitar at just the right time, while giving the strings and woodwinds theirs, too! This was recorded before computer mixing techniques and the sophisticated acoustic-electric systems available on any acoustic guitar today; yet the balance between soloist and ensemble is perfect! Newsom, working with the compositional genius of Jobim, and the interpretative genius /technical expertise of Byrd, created a body of work of which any arranger would, and should, be justifiably proud. This is as good as it gets!
J'ai beaucoup de respect pour l'oeuvre de Charlie Byrd, principalement grâce au Jazz Samba (1962) de Charlie Byrd e Stan Getz. Mais avec ce Brazilian Byrd de 1965, les choses semblent se gâter un peu. Rien à dire sur le choix des titres très dans l'air du temps avec des standards de la Bossa Nova ("Corcovado", "The Girl From Ipanema", "Samba do Avio", "Dindi", en lien, ...). Rien à reprocher au jeu guitaristique de Charlie Byrd qui est très enlevé, léger, un brin classique, mais au charme indéniable. Le problème se situe au niveau des arrangements qui sont extrêmement lourds et intrusifs sur la majorité des titres. Dommage d'avoir un interprète aussi aérien, "like a bird", et lui imposer une orchestration omniprésente qui masque souvent la finesse de son jeu. Il y a un réel décalage entre la guitare et l'orchestre. Si l'on considère Brazilian Byrd comme hommage instrumental à Antônio Carlos Jobim, autant aller chercher la simplicité chez un artiste tel que Baden Powell (À Vontade (1964). Brazilian Byrd est un album au rendu très frustrant et qui n'est pas à la hauteur du talent de son auteur