Paul Lewis plays Beethoven's Emperor Concerto from the BBC Proms in England in 2010

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Tracklist: Ludwig vanBeethoven (1770-1827) CD 1 Sonata n. 6 in G major o. 1 n. Sonata n. 7 ‘The Tempest' in D minor o. 8 in E flat major o. CD 2 Sonata n. ‘Pathetique’ in С minor o. 3 Sonata n. 1 in В flat ma. .

Album · 2006 · 30 Songs. Beethoven: Piano Sonatas, Vol. 4. 2008. Beethoven: Diabelli Variations. Schubert: Piano Duets. Beethoven: Sonates pour Piano, Vol. 1. 2005. See All. Classical Moonlight.

This album has an average beat per minute of 101 BPM (slowest/fastest tempos: 64/132 BPM). See its BPM profile at the bottom of the page. Tracklist Piano Sonatas, Volume 2: Op. 13 "Pathétique", 14, 22, 53 "Waldstein", 78, 79, 90, 101, 106 "Hammerklavier" (Paul Lewis). Recent albums by Ludwig van Beethoven. Sonata No. 29 'Hammerklavier'; Bagatelles Op. 126. 2016. Bach, Beethoven, Medtner. A Violin's Life, Vol. 2: Music for the 'Lipinski' Stradivari - Beethoven, Maier-Röntgen, Tubin.

Paul Lewis's traversal of the Beethoven Piano Sonatas may just become one of the indispensable recorded versions of these unique works. He tackles the Hammerklavier without attacking it; his interest is textual clarity, and he never fails in that approach. If you listen to the last movement of No. 25, "Alla tedesco," you'll be amazed by the formality and forward propulsion which underpins the seeming merriment in the piece, the abrupt ending suddenly quite a puzzle. I Grave - Allegro di molto e con brio (Sonata no. 8 Pathetique in C minor). 2. II Andante cantabile. I Allegro con brio (Sonata no. 11 in B flat major). 5. II Adagio con molto espressione. 6. III Tempo di Menuetto. 8. I Allegretto ma non troppo (Sonata no. 28 in A major). 9. II Vivace alla marcia. 10. III Adagio ma non troppo con affetto. 11. IV Allegro ma no troppo.

Paul Lewis: Beethoven - Diabelli Variations. Paul Lewis gives a raucous yet masterfully controlled rendition of Beethoven's Diabellis. The Performance: And Paul Lewis tells us that the Diabellis are a set of variations like no other. He romps through the opening theme, Beethoven’s ‘sfz’ left-hand a sides articulated like raucous, tailgating trombones. Individual variations are masterfully controlled – the faux-operatic grandeur of Variation 22 sounds like it wants to slip into ‘The Grand Old Duke of York’ and the tumbling passagework of N. 7 moves faster than fingers ought to. But Lewis’s concept of the whole – how Beethoven seeds ideas that blossom later – makes this performance especially cogent and satisfying.

Paul Lewis, piano Orquestra Simfònica Camera Musicae Tomàs Grau, conductor. L. VAN BEETHOVEN: Concert for piano and orchestra no. 1, Do major, op. 15 L. 5, Mi b major, op. 73, "Emperor".