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Ricky Ford - American-African Blues mp3 download

Ricky Ford - American-African Blues mp3 download

Performer: Ricky Ford
Title: American-African Blues
Style: Hard Bop,Post-Bop
Location: Birdland, New York, NY
Duration: 01:03:36
Released: September, 1991
Date of recording: September, 1991
Size MP3 version: 1289 mb
Size FLAC version: 1802 mb
Size WMA version: 1100 mb
Rating: 4.7
Votes: 929
Genre: Jazz

Ricky Ford - American-African Blues mp3 download

Provided to YouTube by The Orchard Enterprises American-African Blues (First Version) · Ricky Ford American-African Blues ℗ 1993 Candid Productions Lt. .

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American-African Blues is an album by saxophonist Ricky Ford. American-African Blues was recorded in concert at Birdland, New York City, on September 16, 1991. It is a quartet recording, with leader Ricky Ford (tenor sax) joined by Jaki Byard (piano), Milt Hinton (bass), and Ben Riley (drums). The album was produced by Mark Morgarelli. All compositions are by Ricky Ford. American-African Blues (1st Version)" – 10:56.

American tenor saxophonist, born 4 March 1954 in Boston, Massachusetts, USA. Ford started to play drums, then changed to tenor saxophone at the age of 15, inspired by Rahsaan Roland Kirk. Ran Blake heard him playing in a Boston Club and persuaded him to study music at the New England Conservatory.

American-African Blues. Composer, Liner Notes, Primary Artist, Sax (Tenor).

American-African Blues is an album by saxophonist Ricky Ford. Charles Sullivan (musician). Charles Sullivan (now Kamau Muata Adilifu) (November 8, 1944) is an American jazz trumpeter. He has made recordings as sideman with Woody Shaw, Dollar Brand, Ricky Ford, and King Curtis, among others. He also recorded three albums as leader. Ebony Rhapsody is an album by saxophonist Ricky Ford. Flying Colors (Ricky Ford album). Flying Colors is an album by saxophonist Ricky Ford which was recorded in 1980 and released on the Muse label.

Ricky Ford (born March 4, 1954) is an American jazz tenor saxophonist. Ford was born in Boston and studied at the New England Conservatory. In 1974 he recorded with Gunther Schuller and then played in the Duke Ellington Orchestra under Mercer Ellington from 1974 to 1976. After this he played with Charles Mingus (1976–77), Dannie Richmond (1978–81), Lionel Hampton (1980–82), and then in the Mingus Dynasty (1982).

10 tracks · 1 January 1992. American-African Blues. 8 tracks · 1 January 1993. Ford, Ricky: Loxodonta Africana.

Ricky Ford - Ford Variations. Ricky Ford - American-African Blues. Ricky Ford - Hot Brass.

Album · 1989 · 9 Songs. Tenors of Yusef Lateef & Ricky Ford.

American African Blues. Tell us if something is incorrect. Ricky Ford means business on this pulsating album, originally released in 1991, his first passionate, bursting solo draws it's inspirational roots all the way from Hawkins to Coltrane via Al Sears and Roland Kirk. On this and the other six Ford originals in this set, Ricky organized the tune structures to allow for the insertion of free improvised passages for himself and the other players. Throughout the date Ricky's fellow musicians - Jaki Byard (piano), Milt Hinton (bass), Ben Riley (drums) - are able to indulge in classic interplay, to be free yet to function.

Track List

Title/Composer Performer Time
1 American-African Blues Ricky Ford Ricky Ford 10:56
2 Environ Ricky Ford Ricky Ford 7:01
3 Of Ricky Ford Ricky Ford 8:14
4 Complex Harmony Ricky Ford Ricky Ford 6:41
5 Descent Ricky Ford Ricky Ford 8:36
6 Mostly Arco Ricky Ford Ricky Ford 5:52
7 Encore Ricky Ford Ricky Ford 8:54
8 American-African Blues Ricky Ford Ricky Ford 7:22


Malcolm Addey - Engineer
Gerry Attrick - Liner Notes
Bob Auger - Editing
Alan Bates - Executive Producer
Jaki Byard - Piano
Ricky Ford - Composer, Liner Notes, Primary Artist, Sax (Tenor)
Milt Hinton - Bass
Jimmy Katz - Photography
Mark Morganelli - Producer
Ben Riley - Drums
Malcolm Walker - Design
Always enjoyed Ricky Ford. Stumbled on this live album of his on Spotify. Great rhythm section really pushes Ricky along. He played music that may have been more in vogue in the '50s and '60s, but he played it well. Good example of a live "late hard bop" tenor quartet recording.