» » John McCabe - Hindemith: Ludus Tonalis; Suite '1922'
John McCabe - Hindemith: Ludus Tonalis; Suite '1922' mp3 download

John McCabe - Hindemith: Ludus Tonalis; Suite '1922' mp3 download

Performer: John McCabe
Title: Hindemith: Ludus Tonalis; Suite '1922'
Style: Keyboard
Duration: 01:09:23
Released: 1996
Size MP3 version: 1224 mb
Size FLAC version: 1480 mb
Size WMA version: 1333 mb
Rating: 4.8
Votes: 367
Format: DTS AUD AAC DMF XM WMA
Genre: Classical

John McCabe - Hindemith: Ludus Tonalis; Suite '1922' mp3 download


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Ludus Tonalis (1942) - Studies In COunterpoint, Tonal Organization And Piano Playing. 1. Praeludium, Moderate - Arioso, Quiet - Slow - Solemn, Broad. 2. Fuga Prima In C, Slow.

Ludus Tonalis & Suite 1922. Hindemith : Ludus Tonalis & Suite '1922'. Sample this album Artist (Sample). 30. Ludus Tonalis : I Praeludium. Ludus Tonalis : II Fuga prima in C major. 3. Ludus Tonalis : III Interludium primum. This item: Ludus Tonalis & Suite 1922. There's a problem loading this menu right now.

Composer(s): Hindemith. Works: Ludus tonalis; Suite ‘1922’, Op. 26. Performer: John McCabe (piano). There have been sadly few recordings of Ludus tonalis, Hindemith’s polyphonic masterwork for piano. Two composer-pianists now offer fascinating contrasts in style. Mustonen emphasises the ludus (game) aspects. Mercurial, capricious, he throws off contrapuntal complexities with a feathery touch. It is cold, crystalline playing, tending to make a breathless toccata out of every fast movement.

Hindemith : Ludus Tonalis : V Interludium secundum - Pastorale. 6. Hindemith : Ludus Tonalis : VI Fuga tertia in F major. 7. Hindemith : Ludus Tonalis : VII Interludium tertium. 8. Hindemith : Ludus Tonalis : VIII Fuga quarta in A major. 9. Hindemith : Ludus Tonalis : IX Interludium quartum.

Ludus Tonalis, Hindemith's most substantial piano work, has such a reputation for intellectual aridity that the very mention of it is guaranteed to have some running for cover. Written in 1942 and conceived as a kind of 20th-century riposte to Bach's Well-Tempered Clavier, it consists of 12 fugues - one for each note of the chromatic scale - framed by a prelude and postlude and separated by interludes, which guide the listener from one key to another. Boris Berezovsky certainly plays it with great lucidity and jaw-dropping dexterity, though Hindemith's spartan, mid-period harmonic palette still makes for difficult listening. The pungent Suite "1922", written in the year from which it takes its name, is music of infinitely greater immediacy - and Berezovsky delivers it with tremendous aggression and panache.

Artist: Пауль Хиндемит, Boris Berezovsky. Album: Hindemith : Ludus Tonalis & Suite '1922'. Download Boris Berezovsky, Пауль Хиндемит - Suite 1922 O. 6 : IV Boston. Hindemith : Ludus Tonalis & Suite '1922': Best 2 songs. Boris Berezovsky, Пауль Хиндемит - Ludus Tonalis : V Interludium secundum - Pastorale 01:11. Boris Berezovsky, Пауль Хиндемит - Ludus Tonalis : XVII Interludium octavum 01:22. Boris Berezovsky, Пауль Хиндемит: best 2 tracks

Ludus Tonalis ("Play of Tones", "Tonal Game", or "Tonal Primary School" after the Latin Ludus Litterarius ), subtitled Kontrapunktische, tonale, und Klaviertechnische Übungen (Counterpoint, tonal and technical studies for the piano), is a piano work by Paul Hindemith that was composed in 1942 during his stay in the United States. It was first performed in 1943 in Chicago by Willard MacGregor. The piece explores, "matters of technique, theory, inspiration, and communication

John McCabe, piano Hyperion CDA66824 69:13. Summary for the Busy Executive: Jekyll and Hyde. I have no idea why the music of Hindemith currently lies under such a cloud, other than there's a lot of it and it's easier to ignore it than to engage with it. In a way, Hindemith made a huge career mistake by setting himself as the polemic opposite to Schoenberg and dodecaphony – the anti-Schoenberg – because he mistakenly believed that tonality was "natural.

Track List

Title/Composer Performer Time
Ludus tonalis, cycle of 25 pieces for piano
1 Praeludium: Moderate-Arioso, Quiet-Slow-Solemn, Broad John McCabe 3:40
2 Fuga Prima In C: Slow John McCabe 2:11
3 Interludium: Moderate, With Energy John McCabe 1:30
4 Fuga Secunda In G: Gay John McCabe 1:28
5 Interludium: Pastorale, Moderate John McCabe 1:03
6 Fuga Tertia In F: Andante John McCabe 2:18
7 Interludium: Scherzando John McCabe 1:19
8 Fuga Quarta In A: With Energy-Slow, Grazioso-Tempo Primo John McCabe 3:08
9 Interludium: Fast John McCabe 1:14
10 Fuga Quinta In E: Fast John McCabe 1:21
11 Interludium: Moderate John McCabe 1:19
12 Fuga Sexta In E Flat: Quiet John McCabe 2:11
13 Interludium: March John McCabe 2:10
14 Fuga Septima In A Flat: Moderate John McCabe 1:58
15 Interludium: Very Broad John McCabe 1:58
16 Fuga Octava in D: With Strength John McCabe 1:09
17 Interludium: Very Quiet John McCabe 1:24
18 Fuga Nona In B Flat: Moderate, Scherzando John McCabe 2:09
19 Interludium: Very Quiet John McCabe 2:09
20 Fuga Decima In D Flat: Moderately Fast, Grazioso John McCabe 2:11
21 Interludium: Allegro Pesante John McCabe 2:08
22 Fuga Undecima in B (Canon): Slow John McCabe 2:06
23 Interludium: Valse John McCabe 1:59
24 Fuga Duodecima In F Sharp: Very Quiet John McCabe 2:32
25 Postludium: Solemn, Broad-Arioso, Quiet-Moderate John McCabe 3:19
Suite "1922", for piano, Op. 26
26 Marsch John McCabe 1:29
27 Shimmy John McCabe 3:40
28 Nachtstück John McCabe 5:58
29 Boston John McCabe 5:16
30 Ragtime John McCabe 2:43

Credits

Alexandre Blanchard - Translation
Martin Compton - Producer
Nick Flower - Executive Producer
Joanna Gamble - Executive Producer
Anthony Howell - Engineer
Ute Mansfeldt - Translation
Robert Matthew-Walker - Liner Notes
John McCabe - Piano, Primary Artist
Julian Millard - Engineer
Edward Perry - Executive Producer
Terry Shannon - Design