Альбом · 2013 · Песен: 56. Доступно с подпиской на Apple Music. Бесплатная пробная подписка.

Tritt af die Glaubensbahn. Der Heiland ist gesetzt. Stein, der über alle Schätze. Es ärgre sich die kluge Welt. Cantata No. 121, "Christum wir sollen loben schon," BWV 121 (BC A13). Christum wir sollen loben schon. O du von Gott erhöhte Kreatur.

Conductor, Primary Artist. Netherlands Bach Society Collegium Musicum.

Pieter Jan Leusink & Holland Boys Choir & Netherlands Bach Collegium Bach Cantatas & Other Vocal Works. Complete Cantata Cycle on Brilliant Classics Recordings of Other Vocal Works. 3 & 4 - conducted by Pieter Jan Leusink Matthäus-Passion BWV 244 - conducted by Pieter Jan Leusink Johannes-Passion BWV 245 - conducted By Pieter Jan Leusink An Interview with Pieter Jan Leusink In Balance with Bach - an interview with Frank Wakelkamp, cellist on the Leusink Bach Cantatas recordings. Table of Cantata Recordings by Major Conductors: Cantatas BWV 1-50 Cantatas BWV 51-100 Cantatas 101-150 Cantatas 151-200 Cantatas 201-224 Remarks.

Bach Cantatas Vol. 16: New York, For the Sunday after Christmas, John Eliot Gardiner, English Baroque Soloists, Gillian Keith, Peter Harvey, Soli Deo Gloria 2000. BWV 152 Tritt auf die Glaubensbahn English translation, University of Vermont. BWV 152 Tritt auf die Glaubensbahn text, scoring, University of Alberta.

Мы рекомендуем первую песню под названием Wo gehest du hin, BWV 166: IV. Recitativo. Gleichwie die Regenwasser (Basso). mp3 с качеством 320 кбит/с. Бесплатная загрузка Wo Gehest Du Hin Bwv 166 Iv Recitativo Gleichwie Die Regenwasser Basso Bas Ramselaar Holland Boys Choir Netherlands Bach Collegium Pieter Jan Leusink Mp3. У нас есть 1 mp3 файлы готов слушать и скачивать. Чтобы начать загрузку вам нужно нажать на кнопка. Мы рекомендуем первую песню под названием Wo gehest du hin, BWV 166: IV. Filename: Wo gehest du hin, BWV 166: IV.

tra: Netherlands Bach Collegium, Holland Boys Choir. Soloists: Ruth Holton, Soprano Sytze Buwalda, Alto Nico van der Meel, Tenor Bas Ramselaar, Bass. The recordings are on a small scale with authentic instruments and young, fresh-sounding voices. The real highlight is the singing of Ruth Holton who has a clear innocent voice like a boy treble while still being round and feminine.

Pieter Jan Leusink, conductor of Holland Boys Choir and Netherlands Bach Collegium and artistic director of the Cantatas project, managed somehow, against all odds, to create a true best-seller out of what is arguably some of the finest music in the western world, but music which is generally considered to be "difficult"

Leusink and his doughty band of (mostly) Netherlanders, however, know what they are about in this vast segment of the Leipzig Cantor's output. Indeed, to my ears Leusink's efforts compare quite favorably to those of Koopman, Gardiner and Suzuki), while the quality of musicianship, though inconsistent, surpasses that of Harnoncourt and Leonhardt in their pioneering cantata cycle.