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The Band - The Band mp3 download

The Band - The Band mp3 download

Performer: The Band
Title: The Band
Style: Country-Rock,Rock & Roll,Album Rock,Singer/Songwriter
Duration: 43:50
Released: September 22, 1969
Size MP3 version: 1705 mb
Size FLAC version: 1547 mb
Size WMA version: 1960 mb
Rating: 4.5
Votes: 390
Genre: Pop Rock

The Band - The Band mp3 download

The Band: все альбомы, включая FM Radio Broadcast 1970 The Band, Party Feat The Band, Driving Freedom и другие.

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PERFORMER "The Band" INDEX 01 54:10 TRACK 16 AUDIO TITLE "Lonesome Suzie (Alternate Take)" PERFORMER "The .

The Band tabs, chords, guitar, bass, ukulele chords, power tabs and guitar pro tabs including it makes no difference, life is a carnival, back to memphis, acadian driftwood, king harvest has surely come.

The Band is the second studio album by the Band, released on September 22, 1969. It is also known as The Brown Album. According to Rob Bowman's liner notes for the 2000 reissue, The Band has been viewed as a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana.

The Beta Band is the official studio debut album of The Beta Band, released in 1999 on Regal Records. The album followed the critically acclaimed compilation of their first three EPs titled The Three . With high anticipation for The Beta Band, the band originally planned to record the album in four separate continents, but financial constraints slimmed the recording locations down; however, the album was still recorded in a variety of locations

The Band ’s second album might have been called America. Robbie Robertson and Levon Helm were both partial to that grandiose moniker-years later, it was one of the only things they still agreed on. Harvest was also considered, as the record was conceived as a concept album about the South that begins with the promise of spring and ends with the make-or-break finality of the fall, when a farmer pleads for deliverance from financial ruin in King Harvest (Has Surely Come). As it turned out, the Band left Harvest behind for friend Neil Young, who used it for his commercial breakthrough nearly.

The Band is the eponymous second studio album by The Band, released on September 22, 1969. Thus, the songs on this album draw from historic themes for "The Night They Drove Old Dixie Down", "King Harvest (Has Surely Come)" and Richard Manuel's "Jawbone" (which was composed in the unusual 6/4 time signature.

The band made two strong albums with new singer Blaze Bayley and continued to honour their commitment to intensive touring. However, it was the return of Dickinson and guitarist Adrian Smith (who originally left the band in 1990) in 1999 when Iron Maiden became a six-piece, that established the ultimate Iron Maiden line-up of Bruce Dickinson on vocals, Steve Harris on bass, Nicko McBrain on drums and the three amigos – Adrian Smith, Dave Murray and Janick Gers - on guitar, heralding a. new golden age with the release of Brave New World album in 2000. With over 90 million album sales, more than 2000 live performances in 63 countries, tens of millions of fans and 16 studio albums of unerring quality and power to their name, Iron Maiden have more than earned their proudly-held status as one of the most influential and revered rock bands of all time.

Track List

Title/Composer Performer Time
1 Across the Great Divide Robbie Robertson / Kate Wolf The Band 2:53
2 Rag Mama Rag Robbie Robertson The Band 3:04
3 The Night They Drove Old Dixie Down Robbie Robertson The Band 3:33
4 When You Awake Richard Manuel / Robbie Robertson The Band 3:13
5 Up on Cripple Creek Robbie Robertson The Band 4:33
6 Whispering Pines Richard Manuel / Robbie Robertson The Band 4:06
7 Jemima Surrender Levon Helm / Robbie Robertson The Band 3:31
8 Rockin' Chair Robbie Robertson The Band 3:42
9 Look out Cleveland Robbie Robertson The Band 3:09
10 Jawbone Richard Manuel / Robbie Robertson The Band 4:20
11 The Unfaithful Servant Robbie Robertson The Band 4:16
12 King Harvest (Has Surely Come) Robbie Robertson The Band 3:46
13 Get Up Jake Robbie Robertson The Band 2:16
14 Rag Mama Rag Robbie Robertson The Band 3:05
15 The Night They Drove Old Dixie Down Robbie Robertson The Band 4:16
16 Up on Cripple Creek Robbie Robertson The Band 4:54
17 Whispering Pines Richard Manuel / Robbie Robertson The Band 5:06
18 Jemima Surrender Levon Helm / Robbie Robertson The Band 3:48
19 King Harvest (Has Surely Come) Robbie Robertson The Band 4:29


The Band - Primary Artist
Levon Helm - Composer
Richard Manuel - Composer
Robbie Robertson - Composer
Kate Wolf - Composer
The pinnacle of Americana and the best of The Band, never again would they produce such a coherent vision of American roots. Each song captures a wholly distinct moment inspired from rich American historical motifs. The very best songs: "The Night They Drove Old Dixie Down" "Up On Cripple Creek" and "King Harvest" meld the experiences of the characters with the Band's loose instrumentation style. Two other songs stand out to me for their sheer beauty: "Whispering Pines" and "When You Awake", are stunning achievements through sublime vocals and incredible instrumental textures. A couple of the rocking tracks really cook, "Jawbone" and "Rag Mama Rag" really groove and add some levity to some of the more serious themes present on the album. And seriously, the incredible instrumental opening to "Rockin' Chair" perfectly embodies the life of a sailor better than any other contemporary piece of music I have heard.
One of the best records of all time, in any genre.The Band was one of the only bands that could compete with the ferocious British bluesrock-invasion by The Rolling Stones, Cream, Led Zeppelin, The Yardbirds, Them, etc, just by being so original while digging even deeper in American roots than those British bands did.A timeless masterpiece. Americana started here.
The Band are one of those rare acts that manage to follow up an amazing debut album with a sophomore effort that is equal to or better than the first. While we still find many of those rustic and weary 19th century characters we met on "Music From Big Pink" their tales seem to be imbued with more warmth. Of course there's that incredible musicianship (Garth Hudson is the secret weapon here). And vocal turns between Helm, Danko & Manuel that run the gamut from ebullient to heart wrenching. Americana rock at it's greatest.
Knights from Bernin
"The Band" has a log-cabin feel, but it's way more fun than simple roots-rock. "Across the Great Divide" is a masterful pop tune-part Salvation Army sidewalk serenade, part Motown slide. On "Rag Mama Rag," the group tries to make a rockabilly song with a Dixieland band's gear. "The Night They Drove Old Dixie Down" earns its towering reputation, but the miniature moments have equal impact, like the ethereal lilts of "When You Awake," the weightless sweet soul of "Whispering Pines," and the sticky funk-rock of "Jemima Surrender."
The Band doubled down on the rootsy forthrightness of their paradigm shifting debut with a self-titled follow-up. As was the case with its predecessor, this record continues to explore America's musical and cultural history in imaginative and experimental ways musically and lyrically. It may not have represented the watershed moment that Music From Big Pink did, but some of the best American rock songs of the late 1960s can be found on this record.
Here the Band improves upon Big Pink and considering that Big Pink is classic that makes this album indispensible. It perfectly encapsulated the time and Woodstock sound. The Night They Drove Old Dixie Down...
The Band certainly weren't following any trends when they recorded this, their second album. This was roots rock before the term even existed, and their loose playing style complements their finest group of songs perfectly. Understated, shot through with images of another time and place - a distant, truer America - THE BAND remains a singular accomplishment of rock's classic late '60s period that still defies easy classification.
Rating: A+In its own loose limbed, low-key way, Music From Big Pink was as revolutionary as Sgt. Peppers in the way that it inspired musicians to rediscover their roots. Fine though their debut was, their self-titled second album (so named to end any possible confusion about the band’s actual name) upped the stakes another notch. Rightfully regarded as The Band’s masterpiece, its songs once again sounded of no specific time or place, but instead brought to mind an invigorating integration of old, forgotten backwoods sounds that, when woven together by the joyful spirit of a brilliant band, evoked the essence of everything American. Robertson’s songwriting flourishes (he wrote or co-wrote all twelve songs), and the songs are even stronger and more varied this time out. Each song has its own distinct flavor, too, and one look at the credits (Garth Hudson alone plays organ, clavinette, piano, accordion, soprano, tenor/baritone sax, and slide trumpet) reveals a diverse range of instrumentation. “Across The Great Divide,” “When You Awake,” and “Up On Cripple Creek” are among The Band’s most upbeat, catchiest songs, while “Rag Mama Rag” and “King Harvest” lock into great grooves that show off their skillful instrumental interplay. Some of The Band’s finest lead vocal performances can also be found here: Helm’s impassioned Southern singing shines on the classic “The Night They Drove Old Dixie Down,” Manuel’s lovely falsetto performance on “Whispering Pines” can actually induce chills, and Rick Danko’s world weary lead makes “The Unfaithful Servant” an especially affecting ballad. However, it’s their tag team harmonies that provide their signature sound, adding a wistful flavor to “Rockin’ Chair” and enlivening energetic rockers such as “Jemima Surrender” and “Look Out Cleveland.” In addition to his songwriting chores, Robertson’s guitar playing is also more prominent on this album, though his minimalist style still serves to prove that less is often more (his short but sweet solo on “The Unfaithful Servant” is a textbook example). In short, everything came together just right on this astonishingly rich album, which remains a classic of late '60s rock music.
Although Stage Fright did about as well on the charts, this was unquestionably the Band's greatest moment: it includes the hillbilly funk number "Up On Cripple Creek," their biggest hit, and is full of other engaging and well-known cuts like the swaying anthem "The Night They Drove Old Dixie Down," and the joyful "Across The Great Divide," propulsive "Rag Mama Rag," and rocking "Look Out Cleveland." It was almost entirely written by Robertson, with some co-writes by Manuel; Robertson even engineered (again, there's some question about the songwriting credits). The recording techniques are more sophisticated here, the players are better practiced, the vocals are smoother, and there's a lot more going on with creative accordion, piano, and especially horn parts, like the gentle Dixieland arrangement on "The Unfaithful Servant." In sum, this is about as well-written and well-thought out as a record could be, given that it's mostly "live in the studio" without overdubs.
A brilliant example of the exploration of all forms of popular music.